fantasy

This book is the second in a trilogy and therefore this review may contain spoilers for the first book, Tithe.

Val has a quick temper and a tendency to respond to insults violently, but when she walks in on the worst of all insults, and sees her boyfriend and her mother kissing and getting undressed, all she can think to do is get away. She goes to the hockey game that was supposed to be a date, and then she doesn’t go back. Homeless in New York City, she meets friendly, strange Lolli, and Dave, her infatuated friend. Lolli is immediately welcoming, Dave is more reluctant, and his brother, Luis, is against Val’s presence from the start. Luis is guarding a secret, one it turns out Lolli is all too happy to blab – Luis can see faeries, and works running errands for one, a troll. Lolli is addicted to a mysterious faerie drug, and also all too happy to lead Val into the troll’s lair…

The troll, Ravus, is an exile from the Seelie court, which is how Valiant ties in with Tithe, and it does so beautifully, introducing a vivid new cast of characters, and including brief appearances from Kaye, Roiben and Silarial. The story is tightly focused around Val and her development, which is realistic and appropriately paced, but it also firmly advances the plot of the trilogy.

Like Tithe, Valiant is laden with atmosphere. Yet in terms of build up, Valiant is the opposite of Tithe. I felt it was almost too slow to get going into the plot, although I could appreciate the proper introduction that we got to Val’s character, after the rush that was Tithe and my discomfort with Kaye’s characterisation. I think that the pacing and characterisation in general were much better than in Tithe. The motivations of the characters were definitely clearer.

Another way in which Valiant is dramatically different to Tithe is that whereas Kaye and Roiben’s romance had a bit of a whiff of the ol’ insta-love about it, the romance that develops in Valiant is more like slowly burning lust that turns into love. I also liked that the romance wasn’t the whole of the plot, in fact most of the time there wasn’t any romance, as Val was focused on trying to avoid her previous life. I’m trying not to spoil the plot but Valiant is billed as a retelling of Beauty and the Beast and it’s the only retelling of Beauty and the Beast I have liked thus far, being devoid of Stockholm Syndrome, which I can’t stand. Give me insta-love any day of the week over Stockholm Syndrome. Or better yet, give me Valiant, which has neither. Hurrah.

On the subject of plot – it was totally gripping, I loved it! Valiant had me doing something I hadn’t done in a long time – staying up late to finish the book! I just could not bear to consider sleep until it was done. All in all, I thought Valiant was a brilliant second book, it left me desperate to read Ironside and find out what happened to our motley heroes in the end.

Valiant is definitely a book for older teens – it’s got swearing, sex, and the consumption of fairy drugs. Plus plenty of other stuff some parents may disapprove of, like teenagers with dyed hair and piercings. To me, all this stuff makes a book a must-read, but your mileage may vary…

When Kaye and her mother move back into her grandmother’s house, Kaye takes the opportunity to call on some old friends. There’s Janet, and her brother Corny…but there are also three faeries she hopes to find. But the faeries don’t come when she calls them, and even leaving out milk for them doesn’t bring them to her window. She starts to doubt that they were real, but then, whilst out with Janet and her friends, she sits on an old carousel horse. Kaye imagines it coming to life, imagines what it would be like to ride it, were it alive, and then, for just long enough for Janet’s boyfriend to see, it does start to move. Kaye runs away from the group, and it’s whilst she’s on the way home that she hears strange sounds coming from the woods. She goes to investigate, and that’s where she meets Roiben, a faerie knight. He’s wounded, and she helps him, relieved to know that the fey are real. With his silver hair and strange presence, she can’t get him out of her mind.

Soon after, Kaye finally meets two of her old friends again and finds herself entangled in a plot to ensure the freedom of the solitary fey, who will be bound to the service of the Unseelie Court for seven years if the planned Tithe – the sacrifice of a human – goes ahead. Kaye’s friends explain that they intend to trick the Unseelie Queen, Nicnevin, by having Kaye taken to be used as the Tithe, Kaye, who is actually a faerie, but has been disguised as a human all her life. At the last minute, Kaye’s real self will be revealed, ruining the Tithe, but Kaye doesn’t want to wait. Kaye wants to discover what being a faerie means now.

This is actually the second time I’ve read Tithe, here are my initial thoughts on it, as included in a Goodreads review. I gave it four out of five stars:

I would have loved this had there just been a bit more to it. It seemed more like a snapshot than like I was pulled into the world of the story. I liked all the details that were there, there was just too much missing, like it was pared down to the bare minimum to make a good story. I felt like there should have been some flashbacks or some other device to show us what Kaye’s life was like up to the point where Tithe begins. The characterisation was good, the story worked, but I wanted to become absorbed, and sometimes, you just need more pages for that, to be in the world longer. People with a shorter attention span or tendencies to imagine that they are the protagonist (something I grew out of) will probably adore Tithe.

The pacing was also uneven, what we get of the story feels right as we read it, description balanced nicely with action, but it jumps too often, and there was little time given to showing us what the protagonists actually thought about all that was going on. The action takes place over a couple of days, but it slows down often enough that I felt more reflection from the point of view characters would have fit in nicely.

Despite my initial misgivings I liked it enough to want to read the second in the trilogy, Valiant. I reread Tithe this year before continuing with the series. I enjoyed it more this time around, possibly because I expected the concise storytelling, and could just let the lovely descriptions wash over me without wishing there were more actual scenes to the story. I do still think that there could have been a bit more to it, and I still didn’t entirely empathise with Kaye’s character – she’s too much of a drifter. She gets curious and asks questions, but doesn’t demand that they are answered, and she typically goes along with what other characters want without thinking about it much. Maybe that’s the effect of a survival mechanism developed to help her cope with life following her mother around from nightclub to bar to nightclub. This improves towards the end, when she works something out before anyone else.

The level of description in Holly Black’s writing is perfect. The descriptive sections are fairly brief, but every scene has atmosphere and the details about the faerie courts are great, I could easily visualise them in my mind. The moral questions raised in the story fit very well within their context. Like humans, the faeries vary in terms of personality and regard for ethics, but all of them have dark aspects. The fairies are not benevolent spirits – many of them see humans as lesser beings, toys. It’s very much a book for older teens because of this – there’s plenty of death and pain.

I’ve finished reading both sequels and I loved them, so I would happily recommend Tithe to fans of dark fantasy, fans of dark faeries, older teenagers, and people who, like me, prefer to read books for older teens. My review of Valiant, the second in the Modern Faerie Tale series, will follow shortly.